By Daniel Greenfield
Hardly had the blood been scrubbed off the floors in Newtown than everyone who was anyone had begun shifting the blame from Adam Lanza to some intangible social failure.
Back in 2002, Michael Moore trundled his bulk over to Colorado to exploit the Columbine massacre for a general rant about gun culture, American foreign policy and how hard it was to find a shop selling bacon grease by the ton at two in the morning.
In his film, which won an Oscar for Best Documentary, Moore gave his audience what they wanted, lots of scenes of “hicks and hillbillies” buying, selling and giving away guns all over the place to illustrate the murderous ravages of American gun culture. Some of those scenes were staged, but it didn’t matter since Moore was catering to an audience that had nothing but contempt for working class Americans and would believe any awful thing about them.
What did gun culture have to do with a plot by two disgruntled dorks with tastes in pop culture far afield from the rural gun-loving dystopia that Moore was doing his best to depict? About as much as gun culture has to do with headcases like Adam Lanza or Jared Loughner.
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